Guilio Sacchi Tomas Milian is a monster of the human kind, a petty criminal who decides to graduate to the big time by kidnapping the daughter of a wealthy Italian businessman. Guilio shows no emotion as he blows away anyone who gets in his way, friends included. One particular scene stands out: During the kidnap, Mary Lou Anita Strindberg escapes to a house where a small party is going on. Guilio and his cohorts crash the party and force the guests men included to perform oral sex on them.
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Vendetta dal futuro - A story about a cyborg who is programmed to kill a scientist who holds the fate of mankind in his hands in this 'Terminator' type. Music by Claudio Simonetti. They are permanently in a state of surveillance by contaminated mutants. This is a dark and pessimist view of the fate of mankind after a nuclear war with an Orwellian feel, tension, dread and despair.
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This film's sole purpose is to cram as much stuntwork humanly possible into 89 minutes. The goons hang Billy Ray upside-down in a traveling helicopter to try to get him to reveal where he hid a fortune in diamonds that he stole from Navarro, while Carmen follows the helicopter in her Porche. The goons accidentally drop Billy Ray in a lake, so Carmen picks him up, the goons steal a car and the chase is on Why the goons didn't just chase them in the helicopter is a question better left unasked.
Proposed film[ edit ] Errol Flynn was linked with a Don Juan project as early as the s. Burnett was assigned to write the picture after a John Dillinger movie he was working on was postponed. The advent of World War Two saw a decline in the production of elaborate costume pictures, and Flynn was more commonly found in war films and Westerns. Flynn was meant to make it after he finished San Antonio. The studio set for Mexico city used in Juarez was turned into Madrid.